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Posted by Luckytime - August 20th, 2017

I'm making this post mainly because I want to bump the previous one off my profile, I tired streaming and it was a lot of work and not that much fun. Maybe I'll come back to it at a later time.

Right now I'm here to say that I also love to edit videos! But these sort of videos don't really belong on Newgrounds, which is why I'm letting you know you can head over to my Youtube channel where you'll find a small collection of videos where I try out different editing techniques to varying success. These mostly feature games I like to play but the editing adds a little value to the experience. Anyway, here's a small sample of something I've been recently working on:

Here is the link to my Youtube channel for all my videos going back almost a decade: https://www.youtube.com/user/TekaiGuy/featured


Posted by Luckytime - February 17th, 2017

Follow me on Twitch if you want to see some art streams, you can find my twitch channel here:



Posted by Luckytime - January 31st, 2017

One listen and I had to buy:


Posted by Luckytime - January 19th, 2017

I finally got fed up with Photoshop fucking up my workflow with this "feature" that I decided to look into it. It turns out users have been bringing up this issue since 2008 and Adobe has refused to acknowledge the validity of their cries. If you know me, then you know that makes me livid. I have actually developed a tick where before I start drawing on a different layer, I will switch to my eraser and put a mark down on some empty space in order to record that I switched to that layer in the history. Can you imagine doing that every fucking time you want to switch layers? Adobe thinks that's reasonable... or just doesn't give a shit.

Well fortunately someone by the name of Will Fuller wrote a script that you can use to deflect this insipid behavior, and draw confidently, knowing that your layer will never switch on you without your knowledge. Here's what you do:



1) Save this webpage in ProgramFiles/Adobe/AdobePhotoshop/Presets/Scripts as a text document with the extension .jsx

2) Open Photoshop and go to Edit -> Keyboard Shortcuts, then under the shortcuts for 'Application Menus', open File and scroll down until you see Scripts. Under there will be the name of your newly added script. Select it and set it as your new shiny 'Undo' button.

That's it!

It's super easy and I know it will save me so much time that I used to spend performing some nonsensical behavior. The author's name and email address are at the top of the script, so you can send him your thank you's if you appreciate his hard work. (though I'm not a programmer so maybe it wasn't that hard). If you found this useful I encourage you to spread it around as much as you can, I was suffering greatly with this issue and I know someone out there would appreciate it as well. Take care.

Posted by Luckytime - July 23rd, 2016


Posted by Luckytime - July 7th, 2016


Posted by Luckytime - June 25th, 2016


One of my behind the scenes projects, this video is already way outdated. You can see more progress videos of this drawing on my channel.

Posted by Luckytime - June 4th, 2016

Vuja de is the opposite of Deja vu. It's when you've seen something a million times before and suddenly have the feeling of seeing it for the first time again. It's a prespective refresh, and it's what I'm endlessly chasing everytime I draw. The ability the throw away all of your associations, all of your biases when you look at your own work is an incredible advantage to have. As some of you may know, staring at the same thing for a long time makes you accustomed to it, you stop seeing the flaws but you might still feel like something is wrong. If you've ever erased an eye or a nose too many times to count because you couldn't get it right then you know how this feels.

To curb this effect and to achieve vuja de, I've been using one method that wasn't very practical. I would draw something half-way, then shelf it on my hard drive for months, even years, and revisit it at a later date. This definitely works, but it's not very advisable.

Recently I devised a new way to counter this problem, I don't let myself get accustomed to the picture I'm drawing by either drawing it fast enough or changing it fast enough that my brain doesn't have the chance to get acquainted with it. This is ideal either way because working fast is the goal for every artist.

There's also the sunk-cost fallacy to worry about. It's the idea that because you worked on something then changing it would be like undoing that work. I used to fall for this all the time, but now I see the more you change something you don't like the closer you'll get to something you do. Changing and iterating as fast as possible is the solution to both these problems.

Good luck with your pictures!

Posted by Luckytime - May 12th, 2016

I'm writing this as an alternative to leaving hate and negativity in a review on an artist's work. I find myself very frustrated with particular artists whose body of work consits predominantly or entirely of fan-based creations. There's nothing wrong with having a healthy amount of enthusiasm for other people's work, but after I see a trend of only creating fan-based work I begin to suspect that these artists do not create for the love of creating, but rather for the success that those creations bring, however they may define that.

In layman's terms, these types of artists are tryhards. A tryhard is someone who participates in an activity with the express purpose of finding the easiest path to success. It is the success that matters to them, not the love of the activity.

What already exists and is massively successful? Popular media, the stuff that you see saturating the internet and newgrounds. Mario, Undertale, One-Punch Man, Minecraft, Splatoon, etc. Then there are sub-cultures that exist mainly on newgrounds that these artists also pander too, like: Meat Boy, Castle Crashers, Bitey, Tankman and so on. All these IPs with their pre-established fanbases require only moderate effort to pull in massive numbers.

When these artists saturate our web space with pre-established content, it makes it very difficult for original content to be recognized or discovered. Everyone only has a limited amount of attention to give each and every day, and the more they funnel their attention into a single creation the less they can offer to everyone else. Other artists who are working very hard to create something new and fresh are being ranked at the same level at best as those who exclusively make fanwork. You know who you are, and shame on you.


I'm trying my best not to let this get too heavy-handed but the more I write about it the more passionate I get. With the recent Pico Day and all the self-fellating newgrounds has done I'm just a bit over it. Again, a healthy amount of homage to great works is fine but when that's all you seem to be capable of doing, then I start to call into question your integrity as an artist. This isn't helped by the fact that Newgrounds likes to promote work that is instantly recognizable and attention grabbing (could it have something to do with... money?) as well as its own culture.

I don't know why Newgrounds doesn't promote more art teachers or streamers. Works under judgement are all the way at the bottom with no way to move them up. The site doesn't sort fanart and original work, so people end up giving their attention to the fanart more. It's all very upsetting to me, but it's an important criticism to voice.

Posted by Luckytime - March 7th, 2016

It's 2am and I can't sleep again, so I might as well put down what I'm thinking about.

I've tried to define what art is a lot of times in my life and the definition that I'm currently using is 'anything that can be iterated upon'. I've been able to think about my work very clearly with this new definition. I'm now understanding where exactly I can call something finished, instead of going overboard with it. For example I could shelf this blog for a day and come back to it, re-read it, and improve upon it, but I know that it's probably going to serve the same function as a one-pass write-up. The quality won't improve very much and will have wasted a lot of time.

Once you get what you want out of a drawing, then any more work you put into it is, honestly, wasted time. If your aim is to go for a very detailed drawing then sure, it will require several iterations. But as I come to understand what I'm looking for in every drawing I see that most don't have to be very detailed at all. There's a time and place for iterating, mostly if you're doing something professionally or for your portfolio. Otherwise you always want to be working on something different.

Sometimes (actually all the time) I shelf a project and come back to it in a few months and iterate, but I only do that because I know that I'm not good enough to do it right the first time. It's a way for me to artifically enhance the quality of my work by creating it over a long period of time. What's better to do is put it out there, crappy as it is, and if you want to come back to it later you can call it a repaint, recolor, or whatever you like.

I won't hide from how bad I am anymore.